Eight steps, in this order, every time. The only part that varies is how long the third one takes.
We come to the material. Extent, condition, formats, anything fragile, anything that must not leave the building. Half a day for most collections.
Written, itemised, with a capture order and an honest note on what is not worth digitising. No charge, no obligation.
We pack and move it ourselves, in our own crates, and give you an itemised receipt before anything leaves. Material that cannot travel is captured on site.
Unfolding, surface cleaning where it is safe, removal of rusted fastenings, and a condition note for anything already damaged. Nothing irreversible.
Flatbed, book cradle or copy stand depending on the item. Colour targets in frame at the start of each session; one operator per job.
Every image checked against the original for completeness, orientation, focus and colour. Rejects are recaptured before the originals go back.
Where instructed: item-level description, consistent file naming, and a sidecar CSV mapping files to items.
Originals go back in their own order and boxes, against the same receipt. Files are delivered on two drives, posted separately.
While material is with us it is stored in a locked, alarmed room, and it is never subcontracted. If a job needs a capability we do not have — very large formats, badly degraded film — we will say so and name someone, rather than quietly sending your collection elsewhere.
You can visit while the work is in progress. People rarely do, but the offer is meant, and the answer is always yes.